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Jenny Lind Chapel, Andover, Ill., ca. 1975.
Financed in part by a donation from singer Jenny Lind, the building pictured
above was dedicated in 1854. The oldest surviving Swedish Lutheran church
building in Illinois, the Jenny Lind Chapel was home to the Swedish
Evangelical Lutheran Congregation in Andover, organized in 1850 and now
known as the Augustana Lutheran Church. A new facility was constructed in
1867-1870. The Jenny Lind Chapel has been placed on the National Register of
Historic Sites.


Jenny Lind, "the Swedish Nightingale," opened her
American tour on September 11, 1850 in The Castle Garden in New York City.
In addition to several performances there, she appeared in another eighteen
cities. Invariably her concerts sold out. In some cities local citizens'
committees raised tens of thousands of dollars to construct a suitable hall
in which she could appear. Lind herself received the virtually unheard of
sum of $187,500 (deposited in a London bank as a guarantee by P. T. Barnum
who organized and promoted the tour). On October 18 and 19 she sang at the
Musical Fund Hall, on Locust Street in Philadelphia. The two concerts netted
$19,000. The Jenny Lind craze reached such heights, in Europe as well as the
United States, that people began naming everything from locomotives to baby
cribs after her.

Perhaps the most visually striking portrait of Lind
was painted in 1846 by Eduard Magnus.
Even The Liberator, William Lloyd Garrison's
abolitionist weekly, covered the "Jenny Rage" on November 8, 1850:
The 'Jenny' Rage.--The New York Organ, in
alluding to the present excitement in the Knickerbocker city, observes: 'New
stores and saloons and hotels are christened 'Jenny Lind'; steamboats,
locomotives, stages, and all vehicles are 'Jennys'; on 'Change they sell
'Jenny'-see wheat; the spinning 'Jenny' is eclipsed by the singing 'Jenny,'
at least for this 'Jenny'-ration; people delight in tracing their 'Jenny'
alogy back into Sweden; all men seem to be studying verbs in the 'Jenny'-tive
case; 'Jenny'-rosity is a virtue no longer neglected; even our only military
Major-Jenny-ral has surrendered to the queen; fond mothers call their babes,
sportsmen their dogs and horses, farmers their cows and pigs, 'Jennys'; in
short, 'Jenny' is the 'Jenny'-ric term for all these things, and for how
many more, 'Jenny'-sais quoi.'
Some initial reflections:
Jenny Lind was the great sensation of her age. No
performer before or since achieved the breadth and depth of popularity she
enjoyed. She was not simply a singer. Her voice was a great natural
wonder. Listening to her was, for many, a religious experience. They felt
uplifted, purified. Descriptions were uniformly touched with awe. As the
dominant female icon of her generation, Lind became the "ideal woman." She
combined artistic genius with sentiment, beauty with reserve.
Jenny Lind Chapel, see The Lutheran Journal Vol. 60, No. 3,
1991 and Vol. 61, No. 1, 1992, is a national historic site. Swedish-Lutheran
immigrants dedicated their house of worship in Andover in 1848, and
established their first congregation in 1850 under the leadership of Lars
Paul Esbjorn.
The Jenny Lind Fund Committee, consisting of Hortence Lindorff,
Albert Lestor, Art Art Arnold, and Harry Nelson was established by Conrad
Bergendoff in 1973. It was chaired by Albert Lestor, the pastor of the
Augustana Lutheran Church at the time. The Committee asked me to prepare a
video consisting of a series of slides, complete with professional narration
and background music. The result was a series of videos dealing with Jenny
Lind Chapel.
This 15-minute Visitor?s Guide of the chapel, narrated by Kai Swanson,
who was a radio announcer and news director of radio station, WVIK on the
campus of Augustana College in Rock Island Illinois, is installed in the
basement of Jenny Lind Chapel in Andover, and is available for viewing.
Dr. Tom Robin Harris and Janina Ehrlich, members of the Augustana College
music department, and Jeff Cohen, a former concert artist at the college,
composed the background music with traditional Swedish hymns played on the
organ in Jenny Lind Chapel by Hortence Lindorff. This 15-minute video may be
purchased for $10 in the Jenny Lind Chapel Museum located in the basement of
Jenny Lind Chapel in Andover, Illinois.
The video tells a moving story of the chapel from its beginning, a
century and one half ago, to the present day by means of colored slides,
period photographs, paintings and documents, and follows the immigrants on
their 68-day journey from their homeland in northern Sweden to the rugged
frontier plains in northwestern Illinois.
Over 140 years ago. Lars Paul Esbjörn, a Lutheran pastor from northern
Sweden, and 146 Swedish pioneers left their homeland and sailed for seventy
days on the crowded freighter, "Cobden" to New York. From there, more than
100 immigrants from Sweden continued their journey for another 26 days along
waterways of the Hudson River, the Erie Canal, around the Great Lakes, where
they met cholera, the "angel of death", to Chicago and then by canal boats
to Peru, Illinois. From Peru, the baggage, the women, and the children were
put on wagon trains to Andover, Illinois. The rest of the party went on
foot. Due to illness, lack of food, and lodging, the majority left the group
in Andover and went their separate ways. Only Pastor Esbjörn and handful of
his faithful followers remained in Andover to build Jenny Lind Chapel, which
became the "mother church" of the Augustana Lutheran Church and Augustana
Synod. It later merged with the Lutheran Church in America. Today it is
called the Evangelical Lutheran Church in America.
This article concentrates on Lars Paul Esbjörn, his place of birth and
early life in Delsbo, Sweden, his early schooling in Hudiksvall and Gävle
and his study of theology at Uppsala University. Thereafter, he was ordained
at Uppsala Cathedral, became and assistant pastor at Ostervåla, then pastor
at the factory town of Oslättfors. He married Amalia Gyllenbåga, and lived
in two rooms of the parish school house in Hille where he became a preacher
of the Pietists. The article concludes with Esbjörn and his immigrants
sailing from Gävle to New York in 1849.
My cover photograph shows a base relief by Bror Hjort depicting Paul
Esbjörn and his wife Amalia standing in front of Jenny Lind Chapel in
Andover, Illinois. The relief is located in the Lutheran Church, Ostervåla,
Sweden.
In the last issue of the journal, Esbjörn?s early life in Sweden, his
preparations for the ministry, his marriage to Amalia, his conversion to
Pietism, and his determination to accompany his flock to America were
described.
In this article, a detailed account of his trip to America includes the
voyage at sea, his arrival in New York, his arrival in Andover, his meeting
with Jenny Lind, the chapel construction, and the establishment of the
Augustana Synod appears in vivid detail. It concludes with the establishment
of Augustana College in Chicago in 1860, and his return to Sweden where he
died on July 2, 1870, and lies buried in the cemetery of the Lutheran Church
in Ostervåla. His second wife and children returned to Andover. Although the
basement of the chapel in Andover has been transformed into a museum, the
chapel is used, as it has been for over 100 years, as a house of worship.
On the cover is my photo showing the Lutheran Church at Hille, Sweden,
where in 1840 many in the congregation and almost the entire choir went with
Pastor Esbjörn to America.
ANDOVER -- The Jenny Lind Chapel in Andover, a nationally recognized
monument, also is a memorial to early Swedish settlers who came to this
country to found a branch of the Swedish Lutheran Church.
Hundreds of those settlers died of cholera in the early 1850s and are
buried in mass graves in the chapel cemetery and a ``block south and the
block north of this location,'' according to Andover historian Ron Peterson.
Construction on the chapel began in 1851, about 18 months after a group
of Swedish Lutheran immigrants established a congregation under the
leadership of the Rev. Lars Paul Esbjorn. He was given royal Swedish
permission to travel to the United States to extend the state church of
Sweden to these shores, Mr. Peterson said.
However, as other Swedish settlers followed, hard times hit the
community, Mr. Peterson said. ``This church was built in such stark and
suffering times.
``Lumber which was to have been used for the church was lost when cholera
struck. ... The basement of the church became a hospital for the people with
cholera,'' he said.
``There is no steeple because the wood was needed for coffins.''
Mr. Peterson said the 45-by-30-foot church was finished in 1854.
The chapel was named after world-renowned Swedish singer Jenny Lind, who
donated $1,500 toward its construction while she was on a concert tour in
the eastern United States. However, Ms. Lind never saw the church or visited
Andover, Mr. Peterson said.
``The church was considered a masterpiece when it was new and could
accommodate, at the most, 300 people. At one time, a rectangular hole was
cut in the sanctuary floor so that people in the basement could hear the
service,'' he said.
The congregation grew so large that Augustana Lutheran Church, across the
street a block away, was built in 1867. Church members traveled from all
around the area, from the Quad-Cities to Galesburg, to worship in the new
church, Mr. Peterson said.
The little chapel continued to be used for various church functions until
1947 or 1948. Over the years it fell into disrepair. However, in 1973, the
late Conrad Bergendoff, president emeritus of Augustana College, spearheaded
a drive to restore and maintain the chapel.
The work paid off with a listing on the National Register of Historic
Places in 1975. The church, on a seven-acre site, is owned and managed by
the Northern Illinois Synod of the Evangelical Lutheran Church in America.
During restoration, the chapel's basement was converted into a museum
through the work of Hortense and Everett Lindorff, formerly of Rock Island,
now of Minnesota, Mr. Peterson said.
``So many people visit the sanctuary, but they have no idea the museum is
in the basement. It's probably one of the best-kept secrets about the Jenny
Lind Chapel,'' he said.
The museum has many artifacts and much history of the early settlers,
including immigrants' letters written in Swedish, which Dr. Bergendoff
translated to English.
Dr. Bergendoff's contributions to the restoration and museum live on
today in an audiotaped narration of the history of the settlers and chapel,
which museum visitors can listen to.
Part of the brick foundation on the west wall is exposed, as is one of
the huge timber support beams in the basement ceiling. The bricks were made
by the settlers from clay from land near the church.
Like Mr. Peterson, Andover resident Doris Brodd, who oversees the museum,
hopes more people will discover the sanctity of the chapel and take time to
learn about those who gave so much to build it.
The chapel, still used for special events, is open daily from May 1 to
Sept. 30, and by special request during the fall and winter.
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